You signed in with another tab or window. Reload to refresh your session.You signed out in another tab or window. Reload to refresh your session.You switched accounts on another tab or window. Reload to refresh your session.Dismiss alert
Copy file name to clipboardExpand all lines: doc/syntax/scale/aesthetic/1_color.qmd
+1-1Lines changed: 1 addition & 1 deletion
Original file line number
Diff line number
Diff line change
@@ -60,7 +60,7 @@ Note that all different types of color notation can be mixed in the same place.
60
60
Literal color values may be translucent, either by providing a fourth channel the the hex-notation, or by using a css color function that includes an alpha level (e.g. `rgba()`). You should avoid mixing this with the use of the opacity aesthetic to ensure the opacity is predictable.
61
61
62
62
## Palettes
63
-
There are two different types of palettes for fill and stroke — those intended for continuous data and those intended for discrete data. While they both consists of multiple color values, the continuous palettes are meant for interpolation between successive values whereas the discrete palettes are not.
63
+
There are two different types of palettes for fill and stroke — those intended for continuous data and those intended for discrete data. While they both consist of multiple color values, the continuous palettes are meant for interpolation between successive values whereas the discrete palettes are not.
64
64
65
65
Palettes are used by giving them as names in the `TO` clause:
0 commit comments